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My video portfolio. Watch the videos below to see a few examples of my camera work, editing, graphics and direction.
This captivating video, commissioned by Harper Adams University, was produced for a special event attended by HRH Princess Anne. It now also resides on the university’s website, serving as a permanent showcase for a wider audience.
The video seamlessly blends library footage with scenes filmed on location at Harper Adams. The creative approach incorporated captivating time-lapse sequences, where dynamic fast-motion backgrounds contrasted with real-time action in the foreground. This innovative technique effectively captured the energy and vibrancy of the university environment.
John Dixon provided the creative direction for the Harper Adams video, and I collaborated closely with him throughout the production process. My responsibilities included filming on location, crafting the time-lapse sequences, and handling all aspects of post-production. This teamwork ensured the video effectively showcased the university for its prestigious audience.
This short cut-down documentary delves into the heart of Britain’s nuclear power industry, exploring a critical challenge: the gradual degradation of graphite bricks within some reactors. These bricks, vital for safe and efficient operation, are bombarded by a relentless stream of neutrons during fission, the very process that generates electricity.
The documentary investigates Project Blackstone, a groundbreaking initiative that sought to predict the lifespan of these reactors. By acquiring samples from operational reactors and subjecting them to a special “aging” process within a high-powered fast-neutron reactor in the Netherlands, scientists aimed to simulate years of exposure in a compressed timeframe.
The full-length video ran at around 26 minutes.
From the very first client meeting, I was deeply embedded in the project, helping to shape the narrative of the documentary. My role wasn’t confined to a single function; I wore many hats throughout the production process.
The video was directed by John Dixon while, in the Netherlands and the UK, I served as the project’s cameraman, capturing the intense environment of the fast-neutron reactor and the meticulous work of the scientists. Once filming was complete, my role shifted as I edited the raw footage, weaving together interviews, scientific demonstrations, and captivating visuals. In addition, I designed and created the motion graphics. I also provided the voice over!
Chase de Vere entrusted us with creating a captivating two-part video series for their financial services website. These “landing videos” were designed to resonate with viewers at different stages of life, using a powerful storytelling approach.
The core idea revolved around the ever-changing desires we hold throughout life. The videos would feature a series of individuals, progressively older, each expressing a personal “I want” statement directly to the camera.
As the video unfolds, the featured individuals would gradually age. Their “I want” statements would subtly shift, reflecting the natural evolution of priorities. Financial security, peace of mind, and planning for a comfortable retirement now taking center stage.
John Dixon led the project as director and producer while I brought it to life with my technical skills. I filmed the videos, edited the footage, mixed the sound, and colour graded the visuals, crafting a polished final product.
On May 6th 2024, Creatives Connect Malvern held their first ‘en plein air’ painting competition. Artist from around the country were invited to come to Malvern and were given just a few hours to create their pictures. The theme for the competition was ‘The Spirit of Malvern’..
Ralph filmed, edited and directed this short documentary.
This video provides a captivating overview of the eight innovative projects brought to life by the Digital Fund for the Arts in 2011. We embarked on a journey across England, from bustling London to historic Newcastle, to create a short documentary-style video for each of these groundbreaking initiatives.
Commissioned by Arts Council England, this project took us roughly four months to complete. Each video delves into the heart of a unique artistic endeavour, showcasing the creative potential of digital media.
As the cameraman, editor, and graphic designer for this project, I played a key role in bringing the videos to life. From capturing compelling footage to crafting the final edit and designing the graphics, I ensured the finished product delivered a cohesive and impactful message.
Engineering firm AMEC were tasked by EDF Energy with providing a solution to the degrading insulation on four nuclear reactors. This video document the Bleed Hole solution that they successfully applied to the reactor at Heysham.
The filming involved a day on the reactor which was a fascinating experience.
I scripted, directed, filmed and edited this video. I also provided the voice over and designed and created the graphics.
EDF Energy, a leader in the energy sector, approached me with a unique challenge: how to communicate the complex process of data analysis in a way that resonates with a broad audience. They needed a solution to showcase the transformation of vast amounts of collected data into actionable insights.
I proposed a captivating 2D animated short film. This visually-driven approach would leverage simple yet effective graphics to tell the story of data transformation in a clear and engaging manner. The animation would showcase the journey of raw data, from its initial collection to its transformation into valuable information that EDF Energy can utilise to optimise operations and improve services.
To effectively communicate EDF Energy’s data analysis process, I took a hands-on approach. I wrote the script, storyboarded the key visuals, and then directed the animation to translate my vision into a clear and engaging 2D animation.
In the wake of the Fukushima nuclear disaster, a crucial research project emerged. EDF Energy, in collaboration with Bristol University, embarked on a groundbreaking initiative to assess the vulnerability of UK nuclear reactors to earthquakes. I was entrusted with documenting this vital endeavour, aptly titled the “Shaker Table” project, over its entire 24-month duration.
This involved multiple visits to Bristol University, where I captured the intricate details of the project firsthand. Beyond the impressive shaking table itself, I conducted interviews with key personnel – the scientists and engineers at the forefront of this research. Their insights provided invaluable context for the project’s goals and potential impact on the safety of UK nuclear reactors.
A one-man production team, I handled everything – producing, directing, filming, editing, and even composing and recording the music!
Rugby World Cup winner and former England Captain, Jason Robinson, is inspiring the next generation in Leeds. Through an initiative funded by Ilke Homes in Yorkshire, Robinson is championing STEM education (Science, Technology, Engineering, and Mathematics) for young children. This program aims to ignite a passion for these crucial subjects at an early age, fostering a new generation of innovators and problem-solvers.
John Dixon led the project, while I executed the filming, editing, and graphics. This collaborative effort resulted in a compelling video showcasing Jason Robinson’s STEM initiative.
This informative video, commissioned by the Arts Council, sheds light on the Tier 1 visa system in the UK. Aimed at exceptionally talented artists from around the world, the Tier 1 visa program offers a pathway to live, work, and contribute their artistry to Britain’s vibrant cultural landscape.
Through engaging graphics, the video breaks down the intricacies of the Tier 1 visa system, clearly explaining the eligibility criteria and application process. This allows aspiring artists to understand how they can leverage this opportunity to pursue their artistic endeavours in the UK.
This project showcased my diverse storytelling skills. I crafted the script, filmed the interviews to capture insights, directed the animation to bring the story to life visually, narrated the piece with my voice, and even composed the music to create a cohesive emotional experience for viewers.
This engaging video, produced for Modulous Homes, delves into the innovative concept of modular housing construction. Through a captivating blend of visuals, the video unpacks the core principles behind this revolutionary approach.
Time-lapse photography offers viewers a glimpse into the streamlined production process of modular homes, showcasing the efficiency and precision involved. Location shoots bring the story to life by capturing real-world examples of completed modular homes, allowing viewers to envision themselves living in these modern and sustainable structures.
The video also features insightful interviews, both on-site and conducted remotely during lockdown restrictions. These interviews provide valuable perspectives – from industry experts explaining the benefits of modular construction to homeowners sharing their experiences with this innovative building method.
By combining these elements, the video offers a comprehensive and informative look at Modulous Homes’ vision for the future of construction.
John Dixon led the project as director and producer. I provided on-location and post-production support, handling camerawork and editing.
This video marks the first of several annual reviews I produced for EDF Energy. Utilising the powerful animation software, After Effects, I crafted a visually compelling timeline showcasing the company’s achievements throughout the year.
The video seamlessly blends various elements – still images, dynamic video clips, and informative graphics – to create a dynamic and engaging narrative. This approach allowed viewers to gain a comprehensive understanding of EDF Energy’s successes, milestones, and contributions over the previous year.
I spearheaded this project from conception to delivery. Utilising After Effects, I crafted all the motion graphics, seamlessly integrating the provided information and imagery into a cohesive and impactful annual review video for EDF Energy.
This dynamic recruitment video for Utility Warehouse breaks the mold, captivating viewers with a multi-layered approach. The video seamlessly blends live-action footage showcasing real employees with eye-catching After Effects animations. This combination provides a glimpse into the company culture and the daily lives of its staff. Time-lapse sequences further enhance the visual storytelling, adding a touch of dynamism and energy to the overall presentation. The result is a highly watchable and engaging video that effectively attracts potential candidates to Utility Warehouse.
Tina Blake provided the vision for the Utility Warehouse recruitment video, and I collaborated closely with her throughout the post-production process. My responsibilities included filming the live-action segments, editing the footage for a clear and engaging narrative, and designing the motion graphics in After Effects to complement the overall message.
I prefer to edit videos using DaVinci Resolve Studio.
However, I’m equally at home with Avid Media Composer, Final Cut Pro or Adobe Premiere Pro. For motion graphics I use Adobe After Effects while for audio work, I favour Audition and Logic Pro.
